Happy Chinese New Year! It’s the year of the rabbit, those of you who are rabbits rejoice! I actually have no idea what happens when its your year. Didn’t we all hear about The White Stripes breaking? Wait, does that mean Jack White can start his solo career? Starting off the big hit, the Miami Horror remix of Gorillaz. I really thought I posted this already, I even remember writing this description of the song, strangely enough I used the same description about another remix I posted earlier. The remix totally reminds me of the Aeroplane remix of Friendly Fires. I have to say, this may be one of my favorite remixes of this track, and yes there were that many remixes of Empire Ants that I could choose a favorite. Second is the Chew Fu remix of Kerli Army of Love. A bit more synth for you there, something a bit faster. And lastly, it seems to be a trend that’s coming along with my posts, the last track always resembling something vaguely 8-bit. No vocals, this track the Rimer London remix of Classic Brothers is great on its own.
Gorillaz – Empire Ants (Miami Horror Remix)
Kerli – Army of Love (Chew Fu Rain Las Vegas Refix Extended)
Classic Brothers – Munchies (Rimer London Remix)
Blur singer Damon Albarn and co-creator of Tank Girl Jamie Hewlett are at it again the third installment of their virtual band Gorillaz; Plastic Beach. I remember the first time I listened to the Gorillaz it was 3am at night looking for tabs on the internet for songs and happened upon a video for Clint Eastwood and M1 A1. Slow paced, far from mainstream sounding, excuse mashing up these genres, hip hop and alternative rock. Gaining popularity, I definitely noticed their music moving more towards a mainstream sound in Demon Days or quite possibly the other way around, mainstream was moving towards them.
My first impression from listening to Plastic Beach was that it was a seamless movie. This wouldn’t come as much of a surprised as Jamie Hewlett’s influence must have a lot of weight. It’s not hard to notice Hewlett’s love affair with producing dreamlike noir animations and films. The album seems to take a lighter approach musically and lyrically than their previous albums, although by far much stranger, chronicling a journey through this Plastic Beach.
The album begins with a soft instrumental ballad suitably labeled Orchestral Intro followed by an old-school sounding hip hop track with Snoop Dogg basically welcoming you to something that feels like a plastic Alice in Wonderland. White Flag had a surprising introduction, real instruments? Not for long, although toned down from the heavy bass we’re used to from Gorillaz with lyrics bringing us deeper into the rabbit hole. With a rather dreamy yet eerie voice, Albarn manages to scare me but really pull me in with Rhinestone Eyes. One line struck me more than the others, “helicopters fly over the beach, same time everyday, same routine” mainly because the picture in my head was quite vivid.
Everyone’s favorite song from this album, Stylo simply because it just sounds so damn cool. I thought for the longest time they were describing about a robot in one word bursts from Bobby Womack, although quite the different image from the video, although this track seems to move way from the image of plastic. The one predominantly hip hop song that seems to be signature to any of the Gorillaz albums, Superfast Jellyfish featuring De La Soul and Gruff Rhys. The album, or shall I call it story changes pace with Empire Ants, having a relatively mellow tone throughout the song until the end where it introduces electro which is continued on into Glittery Freeze starting with “Where’s north from here?” followed by sounds of Morse code on a telegraph. It really reminded me of M1 A1 from their first track, I actually thought it was a fully instrumental track with sampling from a movie, but it’s Mark E. Smith from The Fall providing “background” vocals
Some Kind Of Nature taking a different approach in describing this world in confusion behind very basic music in the background, giving me the image of something almost like a scene from the Wild West. On Melancholy Hill touches 80’s synthpop, the first time in this album, I might be taking a leap and my memory may be lapsing, but it may be the first time Gorillaz really delved into this genre. This track really popped out lyrically from the rest of the album because it was actually about a “we”. Broken is the first time we’ve heard 2D’s, or more precisely Albarn’s voice without any distortions or aftereffects which is refreshing in an synth filled album. Mos Def raps on a completely different level and is exhibited very well in Sweepstakes, taking the front seat in this track.
Another addition to this ensemble cast, Mick Jones and Paul Simonon from The Clash get together for the first time since Combat Rock to add yet another dimension to the album. Although I was expecting something a little bit louder in Plastic Beach. It’s about time, it’s nice to hear a woman’s voice finally. Thankfully Yukimi from Little Dragon was here to save the day in The Binge where surf rock meets shoegaze and exchanging not so delightful thoughts with Albarn. Bobby Womack helps conclude the album with a rather orchestral piece in Cloud of Unknowing. I couldn’t help but notice the song having the same title as a piece of Christian mysticism and linking that thought that in the track, he’s somehow talking about God. Quite the opposite from the original The Cloud of Unknown, seeking knowledge will ultimately lead to the clouding of the image of God, “trying to find someone you’ll never know” is made to sound like a pointless quest. The album ends off with the sounds of seagulls and the sea, presumably them sailing away from the Plastic Beach. A story told through music, I wonder what we can expect from Phase Three.
1. Orchestral Intro2. Welcome To The World Of The Plastic Beach (4/5)3. White Flag (3/5)4. Rhinestone Eyes (4/5)5. Stylo (5/5)6. Superfast Jellyfish (5/5)7. Empire Ants (4/5)8. Glitter Freeze (4/5)9. Some Kind Of Nature (3/5)10. On Melancholy Hill (5/5)11. Broken (3/5)12. Sweepstakes (4/5)13. Plastic Beach (4/5)14. To Binge (5/5)15. Cloud Of Unknowing (4/5)16. Pirate Jet (4/5)
Gorillaz – Superfast Jellyfish
Gorillaz – To Binge
We haven’t heard much from Gorillaz at least musically since their 2005 album Demon Days. Well, you’re probably already excited about this if you’re a Gorillaz fan because they’re releasing their latest album Plastic Beach on March 9th or 8th depending on where you are which you can pre-order online on iTunes and Amazon. I’m pretty pumped for this, I’ve only heard Stylo and Superfast Jellyfish so far. Definitely hearing a bit more of a heavy base upbeat rock feel to it along with the regular Gorillaz we’re used to. Obviously I can’t comment on the album because I’m far from privileged enough to have listened to it yet.
I’ve included streaming of Stylo for you guys, you’ll have to get the album to have it for yourself, and also a couple remixes for you guys. I absolutely love the way the Louis La Roche remix starts, it almost gives me chills. That may be the perfect filter, cause I love how it changes tracks and Louis La Roche uses it perfectly. I love his remixes. Somewhat more upbeat version, the Alex Metric remix of the track is something I’d enjoy hearing at the club once in a while. That wish will never be granted unfortunately. And lastly, the Yuksek remix where he actually managed to make the track completely different. Props for that. A slower start than the other remixes, but it definitely builds up into a great track.
Gorillaz – Stylo
Gorillaz – Stylo (Louis La Roche Remix)
Gorillaz – Stylo (Alex Metric Remix)
Gorillaz – Stylo (Yuksek Remix)